Couture LingerieLike Beaded Silk Cutwork Balenciaga Style 2000s Black Vest Apron

Dating this minimalist convertible transparent black chiffon rectangular garment by Belgian former fashion designer Martin Margiela to Spring 1994 among his many variations of the traditional waiter-style apron that he reworked with his eponymous Maison Martin Margiela since its first collection for Spring/Summer 1989, the iconic corner-stitched textural white-cotton brand label is stenciled with seemingly contradictory text referencing an earlier collection in Fall 1990. Instead of the blank label that had become internationally recognized among the fashion elite within the brand's initial five years--before the presence of any other tag printed with the designer name--this black print was added in this manner for only one collection during its founder's tenure. The distinct typography specified the collection season when the new Margiela design had debuted since he selected favorites to re-edition from his first 10 fashion shows. This season-less self-curated retrospective collection without any new designs was unprecedented in the ready-to-wear fashion industry, which sold only new clothes typically two to five times annually. In the early 1990s, this old-made-new-again collection was astonishing for a Paris-based high-end brand, for which any lack of fresh designs for Spring had otherwise been attributed to the loss of an artistic director or the outbreak of war. Nevertheless, there are subtle differences of color, material and draping possibilities that make our re-edition unique from the 1990 apron and from later "replicas", which was the term that Margiela printed on a different kind of label for his second self-curated retrospective in Spring 1999 following 10 more collections. Aside from the text-printed brand label with four characteristic hand-sewn corner stitches, the only other element that unified Margiela's first collection of favorites was that all the items were overdyed a darker color so that the clothes were various shades of grey, blue or black depending on the original color of the textile and how much dye the thread/yarn absorbed. The first Margiela apron...

With the finest fabric and tailoring--the base expectation for all progressive minimalist luxurious fashions designed for powerful women by German Jil Sander before the Prada-buyout ...

Around 1970 when he introduced his eponymous brand after becoming a leading couture fashion designer among New York City society, American Bill Blass created this sleek tuxedo-like e...

For a formal special event, this 1980s maxi dress sleeveless gown by American designer Victor Costa features glamorous glossy red satin that is gathered, ruched and topstitched in bo...

This timeless quintessential corseted, shirred, ruched and topstitched "little black dress" produced by Victor Costa in the 1980s was made for the high standards of New York's trendsetting Bergdorf Goodman when it was the first U.S. luxury department store to order exclusive special-occasion dresses from this Texas designer and subsequently to give him a namesake in-store boutique. He soon became associated with the feminine glamorous gowns worn by "PYT" (Costa-speak for pretty young things) on the Dallas-based television-series "Dynasty", which idealized a status-conscious Texas woman mostly via fashion. With a strapless curvaceous sweetheart neckline (spared from '80s shoulder pads!), narrow sinuous folds of crepe silk-blend jersey cross diagonally below the decollete, while contrasting vertical ruching defines the seven bones of the invisible corset structure that is fully lined on the interior. Under the bust in front below the empire-like peaked high waist, the fitted tucked underlay of the cocktail dress wraps around the back to end as an overlay in front, where the opening on the left side extends to the bodice like a discreet slit. The freely hanging bias-cut overlay in front is gathered underneath each breast for a forgiving central drape that adds additional curves to make the wearer's torso underneath appear in sleek condition despite a potentially less than ideal figure. The dress closes with a concealed zipper in the center of the back, with exterior hook-and-eye fastening to narrow the waist. There is a second concealed hook-and-eye fastener at the top of the zipper. Although the only remaining tag is the Costa/Bergdorf label, it is a contemporary U.S.-size 8, which will also suit a large-busted size 6 or a svelte size 10. Now 88 years old, Victor Costa (b.1935) became widely known by the 1980s in The States for perfecting affordable luxurious gowns that could be mistaken for one-of-a-kind flamboyant designs by foreign couturiers Christian Lacroix, Arnold Scaasi, Oscar de la Renta or Valentino Garavani. Early on, the avid female sketcher...

In the 1960s the futurist Paris-based revolutionary haute-couture designers included Andre Courreges, Pierre Cardin and Paco Rabanne, who was the last to died in the 21st Century in ...

1980s Roland Klein black strapless dress with black and white train. Acetate fabric. 34" bust, 26" waist, 40" hips, 48" front length - 54 1/2" ba...

▪ Brand: Vivienne Westwood Gold Label ▪ Creative Director: Vivienne Westwood ▪ Collection: Fall-Winter 1996 ▪ Fabric: Black Lace, Nude Satin ▪ Details: One-shoulder corset top adorn...

1960s James Galanos from Amelia Gray Boutique Creme silk crinkle long sleeve dress embellished in green rhinestones and white beads. Dress has some issues on the arm pit . ( see imag...

1980s Jacqueline de Ribes Deep Purple Taffeta One-Shoulder Cocktail Dress w Roses: This documented Jacqueline de Ribes heavily boned, ruched, asymmetrical, ingeniously designed mi...

1970s Geoffrey Beene Plaid maxi long sleeve dress with beautiful collar and large belt. color : red, black, green and white paten leather belt po...

Blue sequin dress with white star sequins pattern . Fabric composition: 100% polyester. The back is plain polyester satin. Orange cotton ribbing on the neck-line,on the bottom edge a...